nice price deal !!! shur-i-kans trademark blend of musicality with cutting edge electronic production has been turning heads and gaining fans for a number of years now. fred everythings lazy days recordings were quick to snap up >simply yes< featuring alexander east, and give it a mighty remixe from magik johnson and another from fred himself, along with an additional track from shur-i-kan. full support from luciano, laurent garnier, ian pooley, grant nelson, mark farina, andy inland knights, johnny fiasco, marlon d, nick holder, jay west, nacho marco, giom, pezzner, peter christianson, roberto rodriguez, sarah main, demarkus lewis, luke mckeehan, murray richardson, miles maeda, marko militano, olivier desmet, dj mes and more

out as a vinyl-only offering on 15th july 2016, gti005 is the first official release from forever, a talent who pulls influence from nostalgic jungle and rave genres, as well as elements from classic house and grime. a1 coarse is a blissful, liquid-like journey that plays on forever s broad range of influences, think haunting melodies mixed with a jungle-like drum foundation for a masterpiece that aligns itself to not one genre. track two invaders is a murkier, spaced-out number with a squelching bass, one for the after-hour sessions. an industrial vibe echoes across invaders five minutes, and the track holds transcendental, meditative quality aligned to forever s 2013 track playfights. turning over to side b, grade 10 invite house icon mr. g to step up for a coarse remix that adds his signature flair to the original, turning coarse into a raw, acid-tinged track

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 1 features some of the future key artists and crosses over from electro to acid and back.

killekill megahits ii is a jubilee release. but it s not only that. it s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release - looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 2 is chicago-inspired and is jacking like a rabbit.

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 3 features the straightest tracks of the compilation. detroit-ish techno from alex cortex, stomping acid from blake baxter, the prince of techno and modern techno by ksp and cassegrain & tin man – 4 bomb tracks for the dancefloors.

2016 repress ...the 2nd release on the new aniara label! this is one of the deepest, most intense tracks we have heard in a while! >sinai hypnosis< is a lush and relaxed tracks that slowly builds and builds and just dont push things as so many of the modern house records ... this is a fresh evening breeze slowly turning into a invisible silent tornado sucking you up and dropping you on cloud 9! this is probably the closest we have heard anything come to global communications without copying their sound. the title track comes as extended and dub version. flip side brings >mima<, another kind of ballad with a dubstep/two step beat and a soothing voice, leading you gently into new territories. (remember aniara 001 sold out in 1 week.. and so far never got repressed despite the demand! dont sleep!)

dating from the days of sade and smooth jazz, you might expect maya s moment in the sun to wear the fragrance of fromage, but the milk’s far from turning and the tropical groove is a sunny delight.

the sun sinks, the sea is turning scarlet. on deck stand two, entwined, a final embrace. the plane is ready for its single passenger. heartache ascending into the heavens. -pilotes- is the third release of the 7inch dedicated label no more pop. by an obscure french synth pop band, performance, this double pack brings together both rare and unreleased material from the early 80s. the double 7inch features the original version, a dub version, a remake of the song s

fresh from live performances at bonobo’s outlier festival, the quietus stage at the great escape, and supporting max cooper, london-based production virtuoso guy andrews revisits his acclaimed debut album ‘our spaces’. informed by audience reactions at these shows, he takes two of the lp’s standout tracks and reconfigures them for the dancefloor, with devastating results. meanwhile two like-minded artists tackle the album’s lead single ‘in autumn arms’. max cooper crafts a formidable collage of idm textures, with staccato beats punctuating the lilting guitar riff, whilst dj mag’s former ‘best breakthrough producer’ ben pearce takes the track into the main room, turning in an elemental 4/4 floor-burner.

with the release of their last album “smoke” (2013) dapayk & padberg moved to a listening oriented direction, that also works perfectly off the dance floor. the new single “sink this ship” underlines their decision to follow this path in the future … maybe even with their upcoming album “harbour” later this year. on “sink this ship” eva padberg unfolds her matured voice, which shows more confidence than on previous records. dapayk skillfully puts her voice in a common scenery, where the straight beats are long over and where is space for extravagances and inventiveness. however, this is not a radical change turning away from the club sound. two of the most sought-after remixer artists at the moment, robot koch and bebetta, ensure the suitability for the dance floor. robot koch skillfully disassembles (for which he is known) the original. primarily he builds his version on the emotional base of eva’s vocal part and dapayk’s warm bass line. however, on the flip side, there is almost a contrasting change. the slight melancholy of the original track gives way for a typical bebetta techhouse beat, that flows through the club in a dreamy, yet simply irresistible manner.

the hidden meaning of number 13 is change, the death of something and its rebirth. this is the idea behind gabriel dor & bordoys new album 13, which is meant to be a turning point on their career. influenced by old school techno but also by modern sounds, after 6 years of production partnership, theyve decided to release their first entirely unpublished lp. the album, made out of 13 cuts, starts with a dark intro that paves the way into a forceful kind of techno, followed by vintage sounds with gloomy touches and sometimes even emotional ones. they have used many instruments and samples discovered along the way on this composition process, plus lots of others found in the previous years. the sounds put together on this album have been carefully picked to preserve their uniqueness, while trying to walk on a different path.

following on from last years exceptional ‘obsession ep’ from art crime is a budding young talent by the name of will lister. originally from lyme regis, will moved up to london to attend goldsmiths university and in his spare time he helps us out behind the counter here at the shop. when he’s not here at the shop you can also hear him playing records on his balamii radio show or his monthly club night, ‘the aten’. ‘the phantom ep’ is his production debut and we’re extremely happy to be putting it out on our main imprint. the title track opens up the ep with heavily reverbed pads, echoed claps, crunchy percussion and repetitive synth stabs that all work together to create spaced-out atmosphere that’s full of twist and turns. flipping over to the b-side, ‘after the light’ picks up the pace with a driving high-hat rhythm and full-bodied kicks that underpin warm piano keys and smooth synth lines. ‘agency’ closes proceedings by turning up the intensity to full with a masterclass in building tension.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

repress , coloured vinyl, ranging from slow to mid-range house tempo, these 4 beauties juxtapose crate-weathered soul samples with a slick and modern production approach. all smooth as silk and primed for the dancefloor!
luvless and martin hayes are the masterminds behind rose records out of leipzig, germany. they have been turning more than a few heads with their sampler eps 12 inches that have all gone promptly out of stock. by their own account, they believe in the beauty of nature, the pureness of a warm summer rain and the pleasure of friendship. and let us not forget about excellent dance music!

‘circular dispute’ is an exploration that incorporates soft textures, mellow kicks and changes in bass pressure to convey mystical movement. the rigid half-time marker slowly fades in, turning circular pressure into a subtle roller that simply defies the rules of gravity. hysee applies an even more intricate formula to ‘isolator’, one that bends attentive low-end textures and minimalistic percussion through time and space. the way it travels, progresses and ends makes this production a groove on its own & an excellent add to ‘vv003’. hysee’s last succession on the record strikes slowly but steadily, waves of deepening frequencies, mesmerising synths and arrhythmic choirs form the pendulum of his signature sound. this closing production allows listeners to drift off to another dimension or subconscious vibration. visceral vibrations’ third acquisition holds the talent of the italian producer hysee, who takes part in our lineage of forward-thinking bass music. with a review hosted by the trusted fatkidonfire blog and airplay support by influential artists, we’re ready to present ‘vv003’ to the world.

“change the state of motion” sees fundamental interaction deliver 3 original tracks, “inertia”, “ruination” and “angular momentum”, and the ep is rounded off with a blistering remix of “inertia” by binny.
“inertia” is a track designed for the floor, with a tough, hypnotic synth line that gathers pace as the track progresses. binnys remix deconstructs the elements of the original, turning it into a more pounding, jacking affair.
“ruination” takes things deeper, the main synth filters in and out, with lush atmospheres and dubbed out percussion helping the track along. “angular momentum” takes things on a trippier route, a swinging synth line helped along with pulsating claps and powerful stabs.

der jüngste zuwachs im kreise der heavenly recordings-familie, amber arcades, verkündet den release ihres debütalbums “fading lines”, das am 03.06.2016 erscheinen wird. annelotte de graaf, so der bürgerliche name der niederländischen künstlerin, nahm die stücke für ihr erstlingswerk zusammen mit produzent ben greenberg (the men, beach fossils, destruction unit) in den strange weather studios in new york auf.
die lp erscheint auf grünem vinyl inklusive downloadcode.

record kicks are extremely proud to present one of the hottest new names on the retro soul scene, the tibbs! proceeded by the smashing single next time , the tibbs debut album takin over will hit the streets on may 20. produced by paul willemsen (zuco 103 / lefties soul connection), recorded at the electric monkey studio in amsterdam using only vintage gear and mastered in nashville by soul veteran bob ohlsson (the guy who took care of mastering for many motown hits), takin over is indeed a breath of fresh air! from floor-shaking soul tunes like dog days , get back tuesday and next time , to the deep soul of wild way and funk stormer suffocated , singer elsa bekman - supported by a super tight big band - will impress everybody with her unique raw, gritty vocals that do not fear comparison with big names such as amy winehouse and duffy. based around amsterdam and founded by a bunch of northern-soul and funk disciples, the tibbs started in 2012 taking inspiration from the golden age of soul music. in 2014 they self-released a demo ep and they also released a 45 vinyl on german funk label tramp records. now, after a few exciting years turning heads and spreading soul tunes all around the country - including appearances at the legendary north sea jazz club and a live performances at national radio 6 - the tibbs are finally ready to make their official debut on record kicks. take notice, because the tibbs are the new name to watch!

killekill catalogue number 025 is a jubilee release: its killekill megahits ii. but its not only a jubilee release. its also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another.

with releases on rush hour, mister saturday night and delusions of grandeur, nebraska is a man who needs little introduction. here, he delivers and amazing ep for heist, showcasing his talent for finding those catchy, but hard to pin-down samples. the soften the wireless ep navigates nicely between disco and house with 4 originals and an amazing tom noble remix. khans bargain will be the go to track the more disco minded listeners out there, with a catchy-as-hell synth line that you wish youd made up yourself. the remix, courtesy of nycs finest disco selector tom noble, goes on a clubbier path, turning the silky smooth original into a distorted house jam full of delays and filtered drums. the b-side sees nebraska turning towards the housier side of things himself, with the blues as a perfect example of minimalistic house. here, he uses only a small amount of elements to create an intoxicating and intense groove. it wont be long breezes through with a lighthearted arpeggio and some lovely dreamy vocals to set a more emotional vibe. ep closing track (digi only) varkala is somewhat of a special track, being dug up from an old hard disc and remastered for your listening pleasure. sincerely yours, lars & maarten

(hiver rmx - first pressing on marbled vinyl) omega system is a journey to deep space and beyond, to the unknown destinations allowed by the mythical and mysterious omega relay thats been turning around omegas red sun since ages.support by: sven väth, len faki, amé, marcel dettman, nick höppner, locked groove, baikal, pablo bolivar…

goldenboy music releases its first ep. chapter one of a techno coloured vinyl series produced by blackwater exclusively for antonello teora’s productions. a two tracks single side ep plus devianza’s rework for a head banging set, two proper techno tracks, straight and rough. hate and violence are conveyed in a single artery, turning negative energy into positive trying to metabolise informations always consciously.
single sided pressing plus fold-out poster.

double lp in gatefold with printed inner-sleeves and cd-version of the album included.
in 2016, the new breakbot version one plus one (breakbot + irfane) will release a second album, still waters, a new assortment of southern sunrays, with swinging images of dancefloors filled with guys in flowing trousers and bare-shouldered young girls. for this occasion, breakbot and irfane followed a well-oiled formula.

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

kenny summit s dirty lowdown and sunshine boogie spent some time atop the digital charts and have been remastered for your vinyl spinning pleasure. nudisco party anthems in their own right, both tracks have become go-to jams for the leaders in the genre. house legend, lenny fontana has been making underground classics for the past 30+ years and his bump track shows why this man has been running things for so long. timmy vegas & the boogie down deejays rework one of the all time paradise garage classics, turning funk to stank and spank to spanky. pressed on limited purple vinyl get em while they re hot!!

for mimi music, komplexx (poolside recordings / silhouette noir) has delivered a melodic techno / progressive crossover. this moody tune is deep yet melodious and builds beautifully. it’s just one of those tracks that works, with its genre-crossing coolness and excellent production. the remix is provided by our lovely house-specialist sascha dive (deep vibes, cocoon, raum). the german master turns the original into a brooding techno affair which is driven by thumping bass and sparse percussive elements. the remix keeps building until there’s nowhere left to hide, turning the track into an absolute floorfiller!

for his second release jackin george teamed up with three of chicagos earliest house music legends. the result is a musical cocktail with the ingredients from an old house recipe: passionate vocals, a fierce bassline, analog percussion and rhythmic piano chords, turning the entire track into a classic underground anthem.

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

repress ... it s been a busy 3 years since danny berman aka red rack em released on his own bergerac imprint. since then he s toured relentlessly, released a whole album of live music based disco/punk funk for sonar kollektiv as hot coins, managed to completely update his biggest track in love again to make it a hit the second time around plus released spaced out, wonky party smashers on wolf music, phonica, city fly and telefonplan. while all this was going on bergerac was largely on ice but now berman is turning his energy back to the label with a vengeance.
dj support: dixon, ame, hunee, dam swindle, jimpster, inkswel, medlar, mad mats, doc daneeka, kito jempere, ron basejam ...

nicola ratti holds a rich history in the world of experimental and minimalist composition, having released music under his own name on labels such as kning disk, anticipate, preservation, holidays, and senufo editions and in recent times concentrating his energy into his collaborative project ‘bellows’, work which has seen the light thanks to entr’acte records and most recently boomkat editions. his latest solo work ‘pressure loss’ finds ratti at a potential turning point in his musical career, exploring rhythm and tonality with a new vigour, in a way which embraces the fluid and consistently evolving modern world of electronic music, yet still references a history of electronics, limiting his sound palette to work only using the serge and arp modular synthesizer.

turning into the home stretch, figure hands the penultimate release of its spc-series to an anonymous yet auspicious talent.on his first output under the ubx127 guise, the producer reveals his wares, combining classic bleep techno with just the right dose of acid. the four driving tracks thrive on their distinct synth-modulations, each scurrying atop a firm groundwork of brooding basses. apparent analogue sequencing pervades the whole ep, infusing it with a feeling of constant motion and liveliness.

its been just over a year since cale sexton emerged out of melbourne s suburban sprawl into the centre of its thriving club scene, in which time the sets he s delivered from behind a nest of wires and hardware have gained recognition as some of melbourne s most compelling and sought after. moving across a vast terrain of reference points, sexton constructs dense soundscapes held together by tight programming, all of this culminating in the powerful live delivery hes become known for. these four songs mark an impressive debut ep, and the second release on melbourne imprint temporal cast.

livity sound founder kowton jacks the rapid fire drums and disquieting samples of cowboy rhythmboxs fantasma turning in a sub-heavy club roller that applies his peerless rave sensibility to the original s ghost train atmosphere. a burbling slice of bristol meets blackpool pier, only on phantasy white label, limited to 200 press. dont hang around.

limited deluxe double coloured 2x12 inch lp + cd initial release edition (disc 1 is translucent red, disc 2 is translucent blue) in gatefold with printed inner-sleeves and printed insides of all 4 sleeves.

pure techno bliss on resopal. french techno ambassadors vakarm and shekon welcome us with four dark, straighter and more paranoid techno weapons on voices ep . -voices- presents an old school, intense techno vibe with a grinding synth hook, leading us into the heart of the beast. taking the best of techno s oldschool-era drums -- combined with the producers top-class production, it s quite a handful. fragile features a stoic rhythm and sparse sci-fi tricks turning the track into a hypnotic tool. -grel- lays down a pounding bass-end topped with spiraling layers of synth. shekon s rework of -voices- shouldn t fail to set dancefloors on fire. after a massive build-up, tricky percussion combines with sci-fi effects and the synth theme from the original. big prime time techno

gerry rooney (black cock) and joel martin (quiet village) return with two strong cuts on new label love shot records! opener -el dorado- is a curious affair, taking loops from a long-forgotten, disco-era spanish dance record and turning it into a rolling, late night chugger. arguably even better is -limitless & free-, which cuts up and rearranges a suitably obscure chunk of stoner funk-rock. wisely, they emphasize the low-slung groove, rising strings and swirling synthesizers, occasionally utilizing select sections of the original s sleazy, come-to-bed vocal.

shipwrec is turning back the clock and paying deserved respect to a giant in dutch acid. active in the 90s, random xs delivered high octane, 303 drenched, techno on the trailblazing djax-up-beats like few others could.

japanese dj/producer no milk drops this 4 track ep on the playground. an integral part of the tokyo club scene this features two very funky house tracks on the a-side backed with two dope remixes by deep explorer musics dubbyman. turning out a full spectrum of all things groove. vinyl only.

music for dreams release their second 12 inch this year from danish duo visti & meyland. continuing their current passion for writing real songs, visti & meyland are back with a larger than life anthem of love, melancholy and thoughtfulness. ‘sharing the light’ has a dreamy vibe in the verses and hits back hard with a bobby womack-esque chorus with meyland s jekyll and hyde vocals. carried by a 70 s drumbeat, a hypnotic electric bass line, and an out-of-tune piano, this track has a strong emotional, warm and star-gazing feel to it, though still maintaining the heavy, rock-solid grooviness that the danish duo are known for. on remix duties payfone calls the shots and demonstrates his power turning the track into a modern paradise garage-inspired dj tool. ‘girls on camera’ is the second track and a sure fire balearic club monster combining -e2e4- style arpeggios with french kiss style stabs making this package essential for any collector of open minded balearic sounds.

new years deal - following hot on the heels of tobys brilliant long player rising son we bring you a couple of our favorite tracks remixed by two of our favorite producers, namely i:cube and session victim. the versatile veteran nicolas chaix kicks things off in his own unique style on his interpretation of love affair with widescreen pads and subterranean clanks and growls setting things up for a heady house journey. session victim do their thing on slo flava, jacking up the tempo and turning in a bouncing live jam with a soulful edge. completing this ep we also have the two original versions of love affair and slo flava in all their glory.

enemy returns with another remix package including efforts from some of our favorite producers at the moment. this collective includes the crafty and credible sound of vril, the legendary steve bicknell, and house musics latest tastemakers mr. tophat and art alfie. getting the remix treatment this time around is dustin zahns 2014 comeback release, >new day rising<. monsieur tophat and his esteemed colleague art alfie surprised us by turning in a very dark and stompy techno rendition of >lost in rapture<. it goes without saying that this one is definitely geared towards the time of the night when things get a little weird. vril follows up with an excellent take on >new day rising< by keeping the tension for nearly three minutes before the reese-like bassline drops in and causes the track to evolve into a groove that demands instant attention. steve bicknell rounds out the package with the peak-time hammer! its relentless, heady, and undoubtedly bicknell! this one has >rave< written all over it.

more vinyl-only dopeness from colonel wrong face and the just jack crew. serving up the heat this time is berlin based producer rydim, a man who’s been stirring up dance floors and releasing records for over a decade now, both as a solo artist and also collaborating with 2 friends under a very popular, super hush-hush pseudonym (it’s a secret yeah, so we ain’t telling you nuffing!). detroit’s jared wilson brings home the bacon on remix duties, turning out a deep acid sleaze-fest for the discerning earlobe. pack your wellies cause that 303 shit is squelchy.

veränderung ep is the first release of forbidden behaviours, new label signed gabriele carasco,a well known producer and sound engineer at the code studio based in berlin. we could listen to him in his previous releases on fasten musique and round qube musik and now with his own label he introduces its minimal deep sound connected with his roots in classical piano and composition. the result is a unique grooving sound,turning into a warm ipnotic dimension

yet again the leafs are turning neon golden, reminding us of the change of seasons lying at the edge of our doorstep. the first cold breezes and the fading warmth of the sun, which we just took for granted so easily, sketch the outline of that mild and soothing melancholia resting in autumn s palms. a mood we can very well enjoy to bury in deeply and with luise s newest release listen to closely. -mentis excessus- is a tenderly crafted tale, a musical journey that paints broad images of false memories and blurry resemblances. like a déjà-vu that lasts too long to put aside, it crawls up your neck to give you that eerie feeling of curiosity with which you look at the uncanny world that suddenly surrounds you. we are very pleased to welcome -wide awake- as the most recent addition to luises s sheltered, little family, a project that has its foundations at the talented hands and hearts of -niju-, -ninze- & -okaxy-. these three banded together for greater good to provide nothing less, but their as well as laut & luise s first album. not restless, no insomnia, just wide awake.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

flume is back! *some minds* featured andrew wyatt, seines zeichen sänger bei miike snow, am gesang der a-seite. die b-seite ist mit dem flume remix von collarbones hit *turning* bestückt. diese ep erscheint als limitiertes white label vinyl und als digitaler download und stream. das video zu *some minds* hat bereits über 2 millionen plays, der soundcloud-link des stückes erfreut sich über mehr als 5.5 millionen plays - und jetzt gibt es den track erstmal als 12 inch!

hell yeah recordings are pleased to present a brand new 12inch by giorgio giri and marco lentano aka mushrooms project, a dj and production duo that has been turning out great 12inches and one full length since 2009 for labels like leng, is it balearic? uber.

new years deal - with toby tobias debut lp for delusions of grandeur dropping on the 16th october we wanted to give you a little taste of what to expect with a couple of tracks plus a brilliant remix from dog regular franc spangler. kicking things off we have the twisted machine funk of the wonder featuring vocals from atwell. 808 beats bringing the vintage electro vibes whilst atwell’s vocal hints at the golden era of chicago house, adding a soulful touch to the rigid groove. next up is only getting better, diving into deeper waters with bubbling pads and pulsing bass line. finally, we have franc spangler getting busy on the remix, turning in a floor focused jam which brings the vocal to the fore and a big beefy bassline to bounce to.

la.-based producer/composer/dj matt lange delivers a darkly melodic breed of electronic music rooted in raw energy and emotion. hand-selected by deadmau5 as one of the latest signings to his label mau5trap, the lifelong musician now makes his full-length debut with the groove-heavy, intricately textured ephemera. as his first album release for mau5trap, ephemeras title reflects the restless innovation inherent in lange s musicianship. the albums really a snapshot of where i am right now as an artist, lange explains. it s this turning point where i have one foot in the world of dance music, and the other foot in a whole different direction.